I recently discovered, Aug. Then I was was able to solve this identification problem with the help of photographs that I found on Paul Hardy’s George Case Concertina website. The giveaway was the pattern of the tracery on the end plate, it is very similar to mine. I haven’t quite worked out the full origin. I know it’s number is , c. The leather went green with mould, the wood warped, the screws stripped their thread, and the veneer flaked off etc. So it lay untouched until April when I restored it.
Appendix 1: Wheatstone and Lachenal Dates of Manufacture
There are lots that match your search criteria. Subscribe now to get instant access to the full price guide service. Condition Report: Five areas of repair to the bellows, two leather patch repairs, three tape repairs. London no.
Lachenal jones, the list for a lot? Using wes williams’ dating instruments. Postmus tentatively dates the same time as occupier, then. Carlin/ h crabb concertina.
I recently fully-restored a button Lachenal Anglo. It was in pretty poor condition when I received it. The wooden ends were non-original, damaged, and not very well made. The pads were mostly dust held together with blobs of sealing wax, and the springs were mostly non-original and much too strong, probably in a vain attempt to make the knackered pads seal. Next I dismantled the actions, laying the levers out on a piece of card so I could figure out which was which when it came time to reassemble the instrument.
Most of the end bolts and corresponding nut plates were worn out, probably due to somebody over-tightening them in an attempt to make the instrument airtight unsuccessfully, because the various boards had all warped. I already wrote an earlier blog post about making the new end bolts.
Users browsing this forum: Google and 0 guests. Posted: Sun Sep 12, pm. It plays beautifully and is in very good condition. The bellows are solid, very clean, both on top and underneath where it rests on the leg.
If you still have the original bill of sale or any other way of dating its purchase with certainty so much the better! If you have a Wheatstone concertina and you can.
In a competitive concertina-manufacturing and selling environment, the Lachenal company produced a range of very fine instruments, including many “student” models. Anglo Lachenals are, as far as I know, all considered “student” grade. They’re good instruments with “real” steel or brass concertina reeds and construction, but the action and sound won’t be as nice or as consistent as some other makes mentioned below.
These instruments were all made in the UK, so “vintage English” usually refers to a Lachenal, Wheatstone, Jeffries or Crabb, and implies superior compared to the Italian Stagis quality of construction, sound, and playability action. If you can afford it, one of these vintage concertinas will be a fine instrument on which to learn, and frankly, you might never need to purchase another instrument as long as you live.
They had a metal-ended model available for a little more, but since I was already a bit over my budget, I got the wooden-end model.
New Instrument Lines All models available to order. Why buy from The Button Box? Warranty and returns policy Warranty and returns policy. Black celluloid finish, white plastic buttons, riveted action, 7-fold bellows. With soft case and book. Outfit includes a soft case and a tutor written specially for this instrument.
A project to digitize the ledgers of the C. Wheatstone & Co. concertina factory at the chart the weekly wages paid to employees such as Messrs Lachenal, Dove, Until , anyone who wished to date a Wheatstone concertina had to visit.
This Charles Jeffries never knew a thing, never been taught anything— most extraordinary, as he turned out an instrument that no other maker could equal. He used the hardest steel there was, very solid. As far as we know, Charles Jeffries had no technical training and was never employed by any of the previously established concertina makers; 2 yet he somehow managed to produce concertinas that are widely regarded as among the best ever made.
Jefferys, Parade Street, Paddington, W. Today, the instruments made by Charles Jeffries command some of the greatest interest and highest prices of any vintage concertinas. Serial numbers would be most valuable for approximating the date of manufacture of the individual instruments and for estimating the total production of Jeffries concertinas.
Numbers abound inside the Jeffries concertinas. However, these consist of one, two, or three digits that are either handwritten pencil or ink or stamped on the reed pan, underside of the action board, or upper inside edge of the bellows or that are etched into the underside of the metal fretwork see Appendix 1. We have been unable to determine if a particular number is a model number, batch number for a production run, or a number that was the handiwork of an owner or repairer of the instrument.
The only way to obtain an approximate date for a Jeffries instrument is from its features; there are five periods of Jeffries-family-made instruments, dating approximately from to , although there are overlaps between these periods. In the absence of any business records, broad characteristics of Jeffries production are thought to be as follows:. Charles Jeffries began his working life as a brushmaker, but somehow his skills soon led him to the concertina as a trade, first, apparently, as an aspiring concertina player, then as a repairer, and finally as a maker.
White Lion Passage between Harrow Road and Edgware Road in Marylebone —the earliest address on Jeffries instruments—possibly was a site from which Charles Jeffries made brushes before he gravitated to concertinas.
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See more of A C Norman & Co, Concertina Maker and Free Reed Restorer on We recently restored a Louis Lachenal with a John Pask dealer’s label.
A copy concertinas a complete dating list for Wheatstone Concertinas, compiled by Henry Minting. All numbers from 1 – are covered, with approximate dates of manufacture. There is no hint of its source, but for the period up to it closely resembles a list attributed by Neil Wayne to Henry Minting. As published in Concertina The AustraliaNo. Concertina Pricelists collected by Chris Algar A unique collection of nearly 40 pricelists for vintage concertinas, mostly concertina in old concertina cases.
From internal evidence it is possible to date the Wheatstone pricelists with more or less accuracy, but the Lachenal pricelists and others from dealers still have some uncertainty in dates. Wheatstone English Concertina Pricelists collected by Chris Algar Most of these pricelists were found in english concertina cases. From internal evidence it is possible to date the lists c. These lists contain information about Wheatstone model numbers dating someone with a spinal cord injury descriptions which are useful to interpret the Wheatstone Concertina Ledgers.
See also Duet pricelists from Wheatstone. See also Anglo dating from Wheatstone. Wheatstone Duet Concertina Pricelists collected by Chris Algar Most of english pricelists were found in old concertina cases. See also English pricelists from Wheatstone.
Lachenal (approximate) dates of manufacture
The donor, Frederick Horniman, included some two hundred musical instruments in the gift of his collection and the Museum building. The Horniman is one of the few UK museums that collects instruments of popular music. In , the Museum acquired a large collection of concertinas, a bellows-blown free reed instrument that was the invention of another illustrious Victorian.
Concertina makers, so the english concertina is one dating to say,. Some notes on concertina connection rochelle. Some notes on lachenal concertinas is one of.
Resources in the Concertina Library for dating vintage concertinas. Do you know another resource that we should include? Tell us about it. Earlier ledgers from the Wayne Archives contain company sales records from the late s to the s along with production records from the s to the s and some early records of wages and other payments.
Later ledgers from the Dickinson Archives contain production records from to All surviving ledgers have been digitized some 2, pages in total and made available free on the web for private research. The same material is also available to buy on an inexpensive CD. Includes an introduction to the project by Margaret Birley, Keeper of Musical Instruments at the Horniman Museum, and an article by Robert Gaskins describing in detail how the ledgers were digitized.